Fuck Me, I Won’t Do What I Tell Me
I just had another “moment of clarity” (as the alcoholics call it) into what a monumental douchebag I am. I’m getting dressed, about to head out to the DVD shop, and I stuck on some music. Today’s selection was Rage Against The Machine’s self-titled debut album. The second song, Killing in the Name Of, came on. You can read the full lyrics here.
First, it’s weird that I’d even listen to something like this because RATM are a bunch of Chomsky-idolozing, Castro-worshipping socialist commie-supporting left-wing dickheads. That being said, this album fucking rocks, and I’ve been listening to it since it was brand new. At any rate, near the end of the song there’s a big build up before the chorus, which consists of the following line repeated over and over again.
Fuck you, I won’t do what you tell me
Fuck you, I won’t do what you tell me
Fuck you, I won’t do what you tell me
Fuck you, I won’t do what you tell me
So I’m standing there in my kitchen, with this song fucking CRANKED, and I’m mentally sticking my middle finger in the air, thinking “Yeah! Fuck you!”
Then it dawned on me. I’m a fat, balding, middle-aged white guy. I’m as establishment as they come. I’m the antithesis of everything that this band and its music stand for. Who, exactly, am I saying “fuck you” to other than people who are exactly like me? If anything, I’m the guy that people should be saying “fuck you” to, not the other way around.
The song still fucking rocks, though. I think I’ll put it on again. Fuck me, I won’t do what I tell me.
Update: You know what this is like? The Who’s My Generation. Roger Daltrey, who was born in 1944, is still singing this song, which contains the line “I hope I die before I get old.” He’s in his mid 60s, and somehow he does it with a straight face.
Hey, if Daltrey can do it, why can’t I?
Update 2: I just remembered this brilliant 2000 article in The World’s Greatest Magazine™ about the left-wing nature of political music, and the hypocrisy of performers who decry capitalism and corporations while making full use of both to turn themselves into fabulously wealthy bourgeois pigs.
To justify its compromised position, Rage Against the Machine drags Noam Chomsky into the debate, making the twisted analogy that Chomsky wouldn’t object to Barnes & Noble–a big, bad company–selling his books, because that’s where people buy books. That analogy might explain why Rage would allow its records to be sold at Tower megastores, but not why its members would become employees of and sell ownership of their music to Sony, which makes far more money selling Rage records than Rage itself does.
Leftists desperately want to avoid real discussion of such contradictions. That’s because such contradictions suggest that if it’s impossible to escape acting like capitalists, maybe there isn’t anything wrong with openly being one.
Read the whole thing. Tear the system down!
